Billy Liar (Penguin Decades)

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I thought I was the only one who did this. The interior secondary monologue for my own amusement, since when I manage to say out loud what I think is great fun and such an amazing observation--it turns out I am as alone as the little prince on his lonely planet.

BILLY LIAR ON LOCATION - LEEDS, BRADFORD | Yorkshire Film Archive BILLY LIAR ON LOCATION - LEEDS, BRADFORD | Yorkshire Film Archive

The film also starred Julie Christie making her first major film role. Julie only took the role, of Liz, after the first choice, Topsy Jane, had to drop out because of illness. All the scenes she had appeared in had to be re-done. An interesting feature of this film is that it was made when they were shooting the original version: it is Topsy Jane and not Julie Christie who is with Tom Courtenay at the top of Leeds Town Hall steps – an early scene in the film. Playing entirely different kinds of characters, Tom Courtenay and Julie Christie also appeared together two years later in Dr Zhivago. A British sitcom in 1973 and most improbably an American TV show starring Steve Guttenberg(!) as Billy followed, achieving nothing more than to help Keith Waterhouse accumulate wealth I'm sure. Waterhouse was of the mimetic school of writers, managing to capture the unique patter of his Yorkshire dialect and local turn of phrase without becoming exclusive or alienating those of us who aren't local or even reading 53 years after publication. It is this quality that stands Billy Liar head and shoulders above others of the time, it hasn't dated because at its heart there are no politics, young men still struggle with their identity and purpose in life and suffer from being misunderstood by those closest to them. It has been suggested that a local newspaper columnist parodied in both the book and the film bears a remarkable resemblance to the late-life Keith Waterhouse himself, when he was ensconced at the Daily Mail. [3]Taylor, B. F. (2006). The British New Wave: A Certain Tendency?. Manchester University Press. ISBN 978-0719069093. As you can see there is a rather large and influential history behind this book and having finally gotten around to reading it I can see why. Despite taking place over just the one day this is still a coming of age tale, it brings us in to Billy's life as he becomes aware that he has to make changes and the events that transpire in that day are enough to help him work some things out in his mind, if not necessarily making those changes. I've seen comparisons to The Catcher in the Rye and I would definitely agree with those only Waterhouse gives us a wonderful almost python-esque comedy at the same time making for a much more enjoyable and accessible read. Billy aspires to get a more interesting job as a scriptwriter for comic Danny Boon ( Leslie Randall), but when Boon comes to town, he is not interested in Billy's overtures. However, Billy tells everyone that Boon is very interested in his stories and that he will be moving to London very soon. Whenever Billy experiences something unpleasant, such as his parents scolding him or his boss harassing him, he imagines himself to be somewhere else. His fantasies generally involve himself as a hero with everyone very pleased with him. However, Billy shows himself to be happier fantasizing about being a great success than actually taking a risk to make something of himself. Billy Liar tells the story of Billy Fisher, a dreamer living in the claustrophobic Yorkshire town in his parents’ house. Billy has dreams, he desperately wants to be a comedy writer and move to London. He doesn’t quite have the courage to go through with it though. Find sources: "Keith Waterhouse"– news · newspapers · books · scholar · JSTOR ( September 2009) ( Learn how and when to remove this template message)

Fifty years on, Billy Liar has not grown old | Fiction | The

William Fisher is an intriguing, complicated, sometimes likeable, but more often infuriating main character, who has a vast, phenomenal imagination, living for much of the time in the fictional Ambrosia, where he is the prime minister – but he does have other roles – and friends of his have important positions…this is a very useful, if not sine qua non artifice, given that the reality around him can be quite bleak – he indeed takes the machine gun he has in Ambrosia and uses it on the real humans that upset him, if only in his own mind…the gun does not exist – and besides, he does know this land does not exist outside his head, as opposed to the – let us say more than a billion at the very least – people who are convinced that Qanon is real, the world is led by lizards, pedophiles and that George Soros is the ultimate Satan…oh and Covid does not exist. Billy also finds himself attracted to his former girlfriend Liz ( Julie Christie), who has just returned to town from Doncaster. Liz is a free spirit who, unlike anyone else in town, understands and accepts Billy's imagination. However, she has more courage and confidence than Billy, as shown by her willingness to leave her home town and enjoy new and different experiences. Under pressure, Billy ends up making dates with both Barbara and Rita to meet each one on the same night at the same local ballroom. There, the two girls discover the double engagement and begin fighting with each other. All of Billy's lies seem to catch up with him as it's announced publicly that he is moving to London to work with Danny Boon, and Billy's friend scolds him for lying to his mother. Billy is "just about thraiped wi' Stradhoughton" He tells everyone that he is off to London. But when he tries to resign from his job as an undertaker's clerk - a job he is dying to leave of course, there is a complication: the small matter of some calendars he was supposed to post nine months earlier. Like a lazy postmen hiding mail in his shed because he can't be bothered to do his rounds, Billy has stashed them all under his bed and embezzled the postage money. His hopeless attempts at getting rid of the calendars - by trying to flush them down the loo at work, for example - are comical. Reel Streets". www.reelstreets.com. Archived from the original on 20 June 2017 . Retrieved 24 November 2014.As well as daydreaming the day away in his beloved Ambrosia, he spends most of his time thinking. Billy has two types of thinking: No.1 thinking which is deliberate, and controlled; and No.2 thinking which consists of obsessive speculation about all the what-if's of life, and to be avoided. Billy Liar is a 1959 novel by Keith Waterhouse [1] that was later adapted into a play, a film, a musical and a TV series. The work has inspired and been featured in a number of popular songs.

Billy Liar (Penguin Essentials) by Keith Waterhouse | Goodreads Billy Liar (Penguin Essentials) by Keith Waterhouse | Goodreads

Later whilst scouring the film catalogue at film school I discovered the classic 1963 film directed by John Schlesinger and starring Tom Courtenay as Billy Fisher. A film which took the grim up north stereotypes that had become the norm in British New Wave cinema and turned them on their head with comedy and the careful use of surrealism.Most of all I love the brilliantly realistic description of a northern working class family of the time, and it is riddled with those wonderfully colourful expressions that punctuated my own childhood, like:- Waterhouse had something of a turbulent childhood and eventful youth himself. He was born and brought up in an impoverished neighbourhood in Leeds and being not so economically privileged meant that he also had to suffer some of the same mediocrity that Billy Fisher sees around him everyday. Unlike Waterhouse, though, who eventually worked his way up the ranks and became a strident and popular journalist in Fleet Street and then a respected writer too, Fisher's escape feels too remote to be ever a reality. He is raring to flee to London where he, as he hopes, will find his footing as a writer for a stand-up comic and yet that ambition is never realised because he is still caught up, not on his lies but also inexorably to his humdrum home town itself. Billy is also engaged to not one but two local young women, the sweet and virginal Barbara ( Helen Fraser) and the rough and ready Rita ( Gwendolyn Watts). Unbeknown to both women, they share an engagement ring. It is the freewheeling Liz ( Julie Christie) who has just recently returned from London however that Billy is truly in love with.

Billy Liar by Keith Waterhouse | Waterstones

The cross media adaptations did start not or end there though, Keith Waterhouse originally adapted it in to a stageplay which starred a young Albert Finney (who turned down the lead in David Lean's Lawrence of Arabia to play Billy!), his success in the movie adaptation of Saturday Night and Sunday Morning helping to making Billy Liar an overnight hit in the West End. He manages to sabotage his engagement to Barbara (aka "The Witch") by borrowing her engagement ring, supposedly to take it to the jeweller's "to be adjusted", and giving it to his other girlfriend Rita! Oh, and then there's Liz as well...This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. This distinguishes Billy Liar from another contemporary coming-of-age novel, The Catcher in the Rye. The latter is a frame story in which Holden Caulfield starts the novel in an institution (jail? Mental health facility?) from which he’s due to be discharged, and he reflects on events since the previous Christmas. But while Billy and Holden are each confronted with their failures and choose to flee, their outcomes and trajectories are very different. One suggests growth and maturation, the other suggests recidivism. Billie Liar by Keith Waterhouse provided the latest foray into the world and mores of the late fifties. It’s yet another novel that resides firmly in northern English working class life. But unlike Alan Sillitoe, John Braine or Stan Bairstow, Billy Liar lives almost entirely in the comic. Until, that is, when it doesn’t. For all his personality issues, Billy is likeable (if endlessly frustrating) and very realistic; indeed, I found some disturbing echoes of my own youth when reading the novel. Waterhouse is also impeccable in his astute rendering of both the local characters and dialect, and the difficult social transition that regional England was going through at the time. There are some great comedy lines too – I have no doubt the Monty Python team took inspiration from this novel for some of their sketches, especially the Four Yorkshiremen sketch